Ron Partridge was still working in his Berkeley, California, dark room well into his 90s. This brought his life full circle. Ron began his career in the darkroom, assisting his mother, photographer Imogen Cunningham. Ron went on to assist both Ansel Adams and Dorothea Lange during the 1930s. Lange’s influence can be seen in Ron’s photographs for the National Youth Administration (NYA), a job that sent him throughout California chronicling the lives of young people on the brink of World War II.
Over the course of his long career as a photographer and filmmaker, Ron’s work embraced landscapes, people, objects, and architecture.
In 2010, I co-curated an exhibit of New Deal art at the Bedford Gallery in Walnut Creek, California. I made a point of inviting the few living New Deal artists that I knew of. It was a short list: Photographer Rondal Partridge, sculptor Milton Hebald, and WPA and Disney artist Tyrus Wong, (now 104 years old!)
Ron and I drove to the opening reception in my classic Plymouth Valiant. He clearly appreciated the attention that he and his work received that night. I continued to visit Ron after that exhibition. He was always excited about his latest project. In recent years he focused on framing dried plants—preserving the unique quality of each specimen. They were studies in form, some in partial states of decay. He relished the second-hand frames he collected for this work.
Anyone who knew Ron knew that he had strong views, a sense of irreverence, and a wonderful sense of humor. Like others I’ve met who worked for the New Deal, Ron was infused with the spirit of that time—a social conscience, ingenuity, and a drive to create—seemingly indifferent to fame and fortune. Ron passed away on June 19. He and his New Deal generation will be missed.