Clinton City Hall Mural – Clinton OK

Loren Mozley painted this mural “Race for Land” in 1938 for the Treasury Section of Fine Arts. It currently hangs in the City Council chambers.
Loren Mozley painted this mural “Race for Land” in 1938 for the Treasury Section of Fine Arts. It currently hangs in the City Council chambers.
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts: 25… read more
Alexander Stirling Calder was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Continental Post Rider, 1775-1789.” The sculpture was made out of an aluminum alloy, and Calder was paid $3,000 for the job. When… read more
Gaetano Cecere was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Rural Free Delivery Mail Carrier.” The sculpture was made out of an aluminum alloy, and Cecere was paid $3,000 for the job. When… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts: 25… read more
Gleb Derujinksy was commissioned by the New Deal’s Treasury Section of Fine Arts to create eight sculptures of previous Postmasters General. The sculptures were made out of wood, and Derujinsky was paid $2,800 for the job. When this artwork was… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
Chaim Gross was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Alaska Snowshoe Mail Carrier.” It is made out of an aluminum alloy, and Gross was paid $3,000 for the job. When this artwork… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts: 25… read more
Arthur Lee was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Pony Express Mail Carrier, 1860-1861.” The sculpture was made out of an aluminum alloy, and Lee was paid $3,000 for the job. When… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
Oronzio Maldarelli was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Airmail Pilot.” It is made out of an aluminum alloy, and Maldarelli was paid $3,000 for the job. When this artwork was created,… read more
Berta Margoulies was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Colonial Foot Postman, 1691-1775.” The sculpture was made out of an aluminum alloy, and Margoulies was paid $3,000 for the job. When this… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
Attilio Piccirilli was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Contemporary Postman.” The sculpture was made out of an aluminum alloy, and Piccirilli was paid $3,000 for the job. When this artwork was… read more
The William Jefferson Clinton Federal Building, originally the US Post Office Department, was begun under the Hoover Administration and completed under the New Deal in 1934. It is richly decorated with New Deal artworks paid for by the Treasury Section… read more
The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934. It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts –… read more
Concetta Maria Scaravaglione was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Railway Mail Carrier, 1862.” The sculpture was made out of an aluminum alloy, and Scaravaglione was paid $3,000 for the job. When… read more
Carl Ludwig Schmitz was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “City Delivery Carrier, 1863.” The sculpture was made out of an aluminum alloy, and Schmitz was paid $3,000 for the job. When… read more
Heinz Warneke was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Express Mail Carrier.” The sculpture was made out of an aluminum alloy, and Warneke was paid $3,000 for the job. When this artwork… read more
Sidney Biehler Waugh was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “U.S. Post Stage Driver, 1789-1836.” The sculpture was made out of an aluminum alloy, and Waugh was paid $3,000 for the job…. read more
Four WPA murals by Jefferson League show historical stages in the history of the neighborhood; the fifth is a map of the community at the turn of the century. Medium: oil on canvas Size: 5 murals; 4 11′ x 6’2″, 1… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. One of the artworks is a sculpture, “American… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. Two of the artworks are exterior bas-reliefs over… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to many social security themed artworks funded by the Treasury Section of Fine Arts. Two of the artworks are murals by Seymour Fogel, “Wealth of the… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. One of the artworks is a large fresco… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. Two of the artworks are exterior bas-reliefs over… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. One of the lesser-known artworks is a mural by… read more
The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. The most spectacular of the artworks is a… read more
This large 10′ x 42′ fresco “California” by Maxine Albro depicts a variety of California agricultural harvest scenes. It was funded by the PWAP.
This 10′ x 36′ fresco “City Life” was painted by Victor Arnautoff with the help of Edward Hansen and Farwell Taylor with funding from the PWAP. The onsite plaque reads: “Such familiar San Francisco buildings as City Hall, the Main… read more
This 9′ x 34′ egg tempera PWAP mural “Home Life” by Jane Berlandina is located on the second floor of Coit Tower. It is accessible only during the Saturday morning tour.
This 10′ x 10′ fresco “Meat Industry” by Ray Bertrand was funded by the PWAP and depicts numerous scenes from the California meat industry.
This 10′ x 36′ PWAP fresco “Animal Force and Machine Force” by Ray Boynton depicts various scenes of production. It is located on the inner north wall of Coit Tower.
This 9′ x 6′ PWAP fresco “Children at Play” by Ralph Chesse is located on the second floor of Coit Tower. It is accessible only during the Saturday morning tour