Arts Programs Sites

Ilya Bolotowsky’s oil painting study for the Hall of Sciences mural at the 1939 World’s Fair in New York is today housed in the collection of the Art Institute of Chicago. It is all that remains of Bolotowsky’s mural commissioned by the Works Progress Administration’s Federal Arts Projects, as all murals made for the World’s Fair were destroyed at the Fair’s closure (Mahoney, p. 261). Bolotowsky is a generally overlooked pioneer of American abstract art and this work is a testament to the brilliance of his art, which he was given ample opportunity to practice through the New Deal. Thus,...

The New York Times wrote the following in 2003 in a retrospective article of New Jersey-based artist Michael Lenson: " moved to Newark and applied at the W.P.A. office on Halsey Street ... Soon, Mr. Lenson was designing and executing murals for the state W.P.A. program. He went on to become assistant state supervisor in charge of the other muralists in the agency. By the time the federal W.P.A. closed in 1943, Mr. Lenson had created six murals and supervised the execution of 15 more in New Jersey by other artists. He also made one mural in West Virginia." "Three of Mr. Lenson's...

This mural "The Harvest" was originally painted for the what was then the Abbeville post office by Louis Raynaud in 1939. Presently, it hangs in the Abbeville Museum downtown. "The Harvest shows men and women harvesting cotton, sugarcane, and muskrat hides.  Men gather cotton and tend the cane.  A couple prepares hides for drying.  Two male children do what children have always done when they were not pressed into premature labor to support mill families or sit for younger siblings-they hang around.  A man prepares to cut a clump of cane, and one woman waits, holding a bucket of water for...

Artist Seymour Fogel painted two murals, entitled "African Music and European Music" and "Religious and Modern Music", in the Music Room (Room 327) of the Abraham Lincoln High School in 1936-37.  The New York Schools website shows only a portion of the first mural on its excellent Public Art for Public Schools pages, so it is uncertain if the latter mural is still extant.

The abstract mural titled "Art," by Lloyd Moylan, was funded by the WPA's Federal Art Project. The medium is tempera on plaster.  There were music classes held on the second floor of the ENMU Administration Building, which explains the choice of a piano mural on the second floor of the building. Later, the classes were moved to former WWII barracks until a new and separate music building was completed around 1958. So the caption might be “Moylan captured the sounds of music through the walls of the school’s Music Dept.” Nearby, the Golden Library houses this mural's twin, titled "Science". As Kathy...

"The 12th Chapter of Ecclesiastes" Medium: tempera on plaster The mural occupies a stairwell. All its components cannot be viewed at once. The following text is quoted from an informational postcard handout available on site: In 1937, the Work Projects Administration of the Federal Government established a program of murals in public buildings throughout the United States. Eastern New Mexico University made application to the Work Projects Administration for a mural to be painted in the Administration Building. Following approval of the application, a mural to represent the 12th chapter of Ecclesiastes in the Holy Bible was chosen. The Work Projects Administration employed...

Aimee Gorham created a large wooden marquetry at the rear of Ainsworth auditorium. The piece is usually hidden behind band equipment and room dividers. In danger of damage unless acknowledged as US property, not Portland Public School property. According to Barry N. Ball (2004) "During the WPA period, Gorham did a large number of documented marquetry projects, actually starting in 1933 under the short-lived Public Works of Art Project (PWAP) when she demonstrated her sculptural skills with a bas relief of Abigail Scott Duniway, shown at the Portland Art Museum in 1934. She also did watercolors of fairy tales and prints of civilian...

The monument itself dates from 1893 but the original marble bust was replaced in 1934 by a bronze one sculpted by Evaline Sellors as a PWAP project. The curbing (reflecting pool) around the Al Hayne Monument is a CWA project: "The marble bust of Al Hayne, carved by Lloyd Bowman, was removed due to extreme deterioration, according to a Fort Worth Star-Telegram article from June, 1934. (Note: this is at odds with a Fort Worth oral tradition which holds that the Hayne bust was stolen). Fort Worth sculptor Evaline Sellors received a commission from the federally-funded Public Works of Art Project to sculpt...

In 1932, the city government began grading work and site preparations on the grounds of the Ala Moana park with the help of territorial relief funds. But it was the advent of federal assistance in 1933 that expanded the scope of construction and park development. Robert Weyeneth describes the process in the volume, Ala Moana: The People's Park: "The Federal Employment Relief Administration (F.E.R.A.) and, briefly, the short-lived Civil Works Administration (C.W.A.) provided the resources for the park board to undertake a major construction program in the thirties. During the construction program funded by the CWA and FERA, the daily labor force was as...

The former main entrance on the east side of the Alameda County Courthouse leads to an elegant lobby flanked by stairways and two large murals made of inlaid marble backed with gold and silver leaf.   The murals, which measure 10 x 30 feet, were designed by Marian Simpson and sculpted by Gaetano Duccini.  They were paid for by the Federal Art Project of the Works Progress Administration (WPA). One is called "Exploration" and depicts the Native American and Hispanic history of Alameda County.  The other is called "Settling of California" and portrays the arrival of Anglo frontier settlers.  That entrance and lobby is...

These carvings adorn the ceiling of Building No. 1 of the Veterans' Hospital, which was likely also a WPA project. From Public Art and Architecture in New Mexico 1933-1943 by Kathryn Flynn (2012): "Building No. 1 which currently houses the Psychology Department was one of the buildings constructed during the WPA activities and has unusually fine carved animal heads on the corbels which are at the end of the ceiling vigas. The carver or carvers are unknown. WPA handmade furniture is located throughout the building."

In 1941, an unknown artist created a marble sculpture of Alexander Hamilton for Hamilton High School in Los Angeles, CA. Completed under the auspices of the Work Projects Administration Arts Project (WPAAP), the 6 foot 10 inch high sculpture depicts a young Alexander Hamilton dressed in knee breeches, a vest and a long coat. It is located in the main entrance foyer.

The mural "Daily Bread" -- currently on display at the Algona Public Library -- was completed with New Deal funds in 1941. The painting by Francis Robert White, formerly in the Algona Iowa post office, moved to the Algona Public Library. When the library was being remodeled, the mural was relocated to the Algona City Hall, where it is on display in the Algona city council chambers. City Hall is located at 112 W. Call Street, Algona, IA 50511.

New Deal Daily, July 3, 2018: "While in the WPA, Zemnick created several sculptures highlighting the transportation history of Ohio. The pieces were created ca. 1935-1939. They are now incorporated into a multi-panel history display at the Akron Metropolitan Housing Authority (AMHA)." The squirrel sculpture pictured below was also Zemnick's creation, made during her employment with the WPA. However, it is not known if Zemnick made the full-size sculpture(s), or just the model to be used in creating the full-size sculpture(s).

Ruth Reeves painted this mural, entitled "Student Activities in School," for the Works Progress Administration (WPA). It was housed at the Andrew Jackson High School in Cambria, Queens, and believed by Living New Deal to be no longer extant.

Ann Rice O’Hanlon’s was commissioned in 1934 through the Treasury Relief Art Project to create a fresco featured in Memorial Hall on the University of Kentucky’s Lexington campus. "The large fresco in the lobby of Memorial Hall depicts scenes from early Lexington and central Kentucky and images of cultural development. It was completed in 1934 by Ann Rice O'Hanlon, a University of Kentucky graduate..."

Artist Adrien Machefert painted a mural, "Pilgrim's Harvest Festival," at Ann Street Elementary School in Los Angeles, CA. He was funded by the Federal Arts Project (FAP). "Adrien Machefert, a man past fifty, was born in San Jose, California, and started drawing for San Francisco newspapers at the age of seventeen. Following fourteen years doing portrait and landscape painting on the Island of Majorca, Mr. Machefert returned two and a half years ago to California and has since been working for FAP most of the time" (Wells, p. 22). Machefert's other New Deal–funded murals in the region include "All Nations" at Ninth...

This frieze on the ceilings of the library's reading rooms depicts "Flowers and Animals" and was funded by the FAP and WPA. The artist is currently unknown to the Living New Deal. The library itself was completed in 1932, but is very similar in design to what soon after became known as the WPA style.

Completed in 1942, this mural “Apponaug Fishermen” by artist Paul Sample depicts local shellfishers in Apponaug Cove. It resides in the Apponaug Post Office, dedicated in 1940.

Richard Ayer's bas relief "Nautical Abstractions" is composed of paint on plaster with embedded rope and piping. It is located on the 3rd floor of the Aquatic Park in San Francisco. Ayer also painted the mural "Tugboats" installed on the third floor above the east door. Both pieces were completed in 1939 with the help of FAP funds.

Beniamino Bufano's brown granite sculptures of, respectively, a seal and a frog were completed in 1942 with the help of FAP funds. They are available for view on the bayside exterior porch.

This oil-on-plaster "Prismatarium" mural was designed by Hilaire Hilel to give "striking demonstrations on the relationship of color and light." It covers the walls and ceiling of a circular room on the west side of the building. Originally, the light fixture revolved. Several other artists also worked on this mural with Hiler. Hilaire also created the massive 10' x 100' mural entitled "Lost Continents of Atlantis and Mu," a "wax-emulsion variation of the Gambier-Parry spirit fresco process," was completed in 1939 with the help of FAP funds. It covers all 4 walls of the main hall.

This 14' x 125' glazed tile "Sea Forms" mural was created by Sargent Johnson in 1939 with the help of FAP funds. The east end is incomplete because of artist protests over plans for a private restaurant on the site.  

Sargent Johnson's 30' x 14' "Sea Form Marquee" frieze of incised green slate at the Aquatic Park in San Francisco was completed in 1939 with FAP funds. Johnson also created a 3′ x 5′ ceramic lintel bas relief on the 4th floor, above the door to the "Radio Room."

This 6' x 32' oil-on-canvas "Sepia Seascape" mural by Charles Nunemaker was completed in 1940 with FAP funds.

The Works Progress Administration built the grandstand at the Arizona State Fair grounds in Phoenix. "As the Great Depression deepened and thousands were uprooted and looking for work, numerous fairgrounds were turned into camps for these transients. The Arizona State Fairgrounds provided a temporary place to stay and an opportunity to earn money through labor. Funded by the Federal Emergency Relief Administration and later the Works Progress Administration, transients helped to construct the stadium. A fifty-foot grandstand, an adobe wall on three sides of the grounds, and an auto racing track inside the horse track were created in 1936. Exhibit buildings...

David M. Hartz, superintendent of Arlington’s schools, requested from the Works Progress Administration (WPA), a mural of Paul Bunyan and Babe the Blue Ox to adorn the walls of Arlington High School as a memorial of the folkloric past of the Pacific Northwest (and Arlington’s past as a lumber town). According to the February 1940 issue of the Washington Education Journal, “His inquiry to the WPA Art Project brought a happy response: ‘Yes, artists were available, and a mural could be done for very little cost.’” The result was that Washington-based artist Richard Correll painted the nine by twelve foot mural,...

"Located in the historic downtown area of Raton, New Mexico, Arthur Johnson Memorial Library building was originally built" as the community's post office in 1917, well prior to the advent of the New Deal. "Remodeling in the late 1990's opened the second floor for use, and included the addition of an elevator." The facility's significance from a New Deal standpoint stems from the "large collection of paintings representative of New Mexico artists of the New Deal period," which hang "throughout the library. A painting by the late Chiricahua Apache artist, Allan Houser, done prior to his moving into 3 dimensional art,...

H. Louis Freund painted this 13' x 4'8" oil on canvas mural "Early Days and First Post Office in Pocahontas" in 1939 for the Treasury Section of Fine Arts for the post office in Pocahontas. After years of damage, it was restored and transported to ASU. "The mural depicts several early scenes of Pocahontas and the surrounding areas. In the lower right is the community of Davidsonville, where the state's first post office was established in 1817. On the left is the old dam and mill as it existed around 1835 in the community of Birdell on the Eleven Point River....

Arnold Friedman painted this oil on canvas mural, entitled "Environs of Warrentown," in 1940 with funds provided by the Treasury Section of Fine Arts. It was originally installed in the Warrentown post office but was removed in the early 1980's because of complaints about the mural's subject matter.

This Treasury Section of Fine Arts mural was painted by William Dean Faussett in tempera on gesso in 1939. From contributor Jimmy Emerson, DVM: "It was originally installed in the Augusta PO but now is in storage in the Augusta Museum of Art. It erroneously depicts Oglethorpe's arriving in Augusta by water. He actually arrived over land." The mural has been in storage at the Augusta Museum of Art since 2004.

These two oil on canvas murals, entitled "Farm Landscape" and "Point Loma," were painted by Charles Reiffel on a commission from the WPA Federal Art Project in 1937. They were originally installed at Memorial Junior High School. Each mural measures 10' x 10'. Some contemporary critics called Reiffel "America's Van Gogh" (Balboa Park Beat, October 2012).

Belle Baranceanu painted two oil on canvas murals at Balboa Park in 1935, paid for with federal funding:  "Progress of Man" and “Education and Culture”.  She rushed to complete the later for the 1935-1936 California Pacific International Exposition and would later claim that she could not stand to look at it. These are the only two of her murals to survive in their original location.

The Public Works of Art Project funded the painting of the Banning High School Mural in Banning CA. The 65-feet long mural depicts scenes from Banning's history, showing its farming and mining legacy. The mural is titled "The Drama of Banning" and was painted by Pauline French (née Hirst). The artist lived in Riverside when she painted the mural. The second name signed on the mural is Edwin Frank, who might have been French's assistant, according to The Press Enterprise. Arthur Cain also worked on the mural with Hirst. The three artists enlisted Rex Brandt's help with painting the locomotive. Stanton McDonald Wright and Lorsen...

Marion Sanford completed this plaster bas relief, entitled "Weighing Cotton," in 1939 with funds provided by the Treasury Section of Fine Arts in what was originally the Winder post office. It is viewable in the Exhibit Room of the Barrow County Museum.

This carving of two 3' x 5' wood panels was created with the help of New Deal funds.

This 30' x 40' mural was painted with the help of New Deal funds.

This 7'11" x 11'6" mural "Characters from Children's Literature" was painted by Roberta Elvis with WPA Federal Art Project funds.

This 14' x 4' wood carving was produced with the help of New Deal funds.

This building was originally the Textile High School, then the Straubenmuller Textile High School, then the Charles Evans Hughes High School, before eventually assuming its current title as the Bayard Rustin Educational Complex. It is now an NYC "vertical campus" housing several smaller schools. In addition to a pair of stained glass windows by Gerard Recke, the building contains several large WPA Federal Arts Project murals created by various New Deal artists in 1934-36. In a 1965 oral history, New Deal artist Irving Block said of the high school that "there were many rooms available to us for decoration." In the same...