Completion Year: 1937

In 1937, Grace Clements adorned a 30-foot curved bench at Santa Monica High School with petrachrome mosaics depicting ocean life. Created under the auspices of the WPA Federal Arts Project (FAP), "Senior Bench" is located in a landscaped area south of the Greek Amphitheater. Clements used the petrachrome method "whereby tinted cement mortar mixed with crushed rock, glass, or tile is applied to the mural surface, with different colored sections delineated by strips of brass. Once hardened, the cement is polished to create a bold, striking appearance. This method was developed by Santa Monica artist Stanton Macdonald-Wright while he was serving...

A substantial building, built to house the library and administration offices of what was then Rhode Island State College. It was that school's first full-scale library. The architects were Jackson, Robertson & Adams of Providence, then the state's most prominent architects. This building is a conservative, well-proportioned Colonial Revival structure. Like most of the school's buildings, it was built of Westerly Granite. This is one of three buildings on campus built under the auspices of the PWA. It is the school's most well-known building, and is on the URI Logo.

A large building, built as a women's dormitory. This was the first major building on campus built of a material that wasn't Westerly Granite, in this case brick. This Federal Revival dormitory was designed by Providence architect Albert Harkness, who would go on to be one of Rhode Island's first modernist architect. The building was named for and dedicated by Eleanor Roosevelt. It is one of the three buildings constructed by the PWA on campus.

A large, Colonial Revival building, built to house the Home Economics department of what was then known as Rhode Island State College. It is built of Westerly Granite, then the dominant building material on campus. The building, designed by Monahan & Meikle of Pawtucket, was built between 1936 and 1937. It is one of three buildings built by the PWA on campus.

California artist Jo Mora created five concrete bas-reliefs of "Monterey County Scenes" for the  County Courthouse. The five rectangular reliefs are mounted over the main entrance doors to the courthouse on the west side of the interior courtyard.  They are stylized representations of, from left to right, native people, conquistadores, friar and Mission neophytes, Anglo-American settlers, and modern-day athletes. There is also a stylized female figure is over the exterior door on the east side of the building that appears to be a figure of Justice. This group of artworks was funded by the Federal Art Project (FAP) of the WPA in 1937. The...

California artist Jo Mora produced 23 cast-concrete, bas-relief busts (each approximately 12" x 18" in size) for the exterior of the Monterey County Courthouse.  The reliefs appear in the spandrels between first and second story windows all around the building and in the courtyard. The work is titled "California Faces" and represents various types of people important in California history. Mora called some of them Indian Man, Indian Woman, Junipero Serra, Juan Cabrillo, John Fremont, Pioneer Man, Pioneer Woman, Spanish Woman, Asian Woman. At that time, this was an unusual acknowledgement of California's diversity. The project was funded by the Federal Art...

Prominent California artist Jo Mora crafted six bas-relief capitals for the tall pillars the main interior courtyard entrance to the Monterey County Courthouse in Salinas, California.  The sculpture depict scenes from early California history, featuring indigenous people, Mexican Californios, mission neophytes and fishermen. These sculptures were done with a grant from the Federal Art Project (FAP), a branch of the Works Progress Administration (WPA), in 1937. The building and its sculptures were placed on the National Register of Historic Places in 2009 and renovated in 2018.

"Riding to Hounds" is one of two murals created for the Petersburg post office under the auspices of the Treasury Section of Fine Arts. The work, which depicts Virginia fox hunting, was painted in 1937 by Edwin S. Lewis.

"Agricultural Scenes in Virginia" is one of two murals created for the Petersburg post office under the auspices of the Treasury Section of Fine Arts. The oil-on-canvas work depicts two primary agricultural crops of Virginia: tobacco and peanuts. It was painted in 1937 by William Calfee.

The historic post office in Clinton, Connecticut houses an example of New Deal artwork: an oil-on-canvas Section of Fine Arts mural entitled “The Post Road in Connecticut,” painted in 1937 by William Meyerowitz.