Maintained as a part of our national and cultural heritage, the GSA Fine Arts Collection is one of our nation’s oldest and largest public art collections. Some of the collection can be viewed online.
A revamped Fine Arts Collection website recently unveiled by the US General Services Administration (GSA) is a bonanza for anyone interested in public art and especially those who love the art of the New Deal. While still a work in progress, the site’s detailed data, cross links and color photographs make it a pleasure to browse and search.
By far the largest section of the new website site is “New Deal Art 1933-1943.” Unlike Living New Deal’s website, the GSA’s site is not attempting a comprehensive survey of public artworks commissioned under New Deal art projects. Rather, it focuses mainly on easel paintings and works on paper on long-term loan to non-government facilities.
New Deal agencies that employed artists routinely offered paintings and drawings to museums, schools, libraries, and other civic and nonprofit institutions. Recordkeeping was spotty at best. Over the decades the government lost track of most of the collection as pieces were moved, borrowed, stolen, sold, put into storage and often forgotten.
GSA, set up in 1949 to manage federal properties and contracts for government agencies, seems to have realized in the 1970s that these were important works of art. Their belated efforts to inventory these works required starting almost from scratch. To date, over 20,000 artworks have been located. There is still a long way to go. Of the New Deal artworks in the online catalogue, only about 20 percent include photographs. (GSA says it is hoping to eventually have a photo for each one.) Only a few murals and sculptures are included; GSA’s responsibility for murals and other “fixed-in-place” New Deal art is unclear and inconsistent.
Celtic Illuminations,1933-34, by Theodora Harrison at the Seattle Art Museum
In addition to artworks at federal buildings, the GSA’s website describes more than 20,000 New Deal artworks on long-term loan to museums and other nonprofit institutions.
Yet, the hundreds of photographs already on display online reveal a remarkable range of subjects, styles and quality. There is a series of “Celtic Illuminations;” a lithograph of Amish children ice skating; an abstract study of a twirling ballerina; a Berenice Abbott photograph of Manhattan’s “Billy’s Bar and Restaurant;” and beautiful watercolors of Native American basketry and jars. There are many of scenes of city life, workers on the job, farms, slums, ships, deserts and some uncategorizable curiosities.
Clicking on a thumbnail provides an enlarged photograph along with the year, medium, dimensions, artist’s name and the artwork’s location. This last bit of data proves the real value of GSA’s efforts. Much New Deal art disappeared into the storage vaults of museums to which it was allocated. For example, the San Francisco Museum of Modern Art reportedly received 875 pieces—photographs, paintings, drawings, textiles, sculptures—of which only a small number has ever been displayed.
Sculpture, Family Group by Emma Lou Davis, 1941, Wilbur J. Cohen Building, Washington, DC. The GSA online art catalogue is searchable by artist or artwork. Some descriptions of artworks in the collection include links to videos.
GSA says it “continues to work with the museum community to develop cooperative agreements for the future care of…these important works of art.” Admirers of New Deal art hope that this will encourage more local “repositories” to exhume and exhibit the New Deal artworks entrusted to them.
If your institution houses New Deal works of art or you would like more information, send the request to:
Fine Arts Program
Office of the Chief Architect
U.S. General Services Administration
1800 F Street, NW
Washington, DC 20405