Treasury Department Sites

The historic former post office building in Worland, Wyoming was constructed in 1935 with federal Treasury Department funds. The building now serves as Worland's City Hall. An example of New Deal artwork created for the building has since been relocated to the downtown post office and federal building in Casper.

The old Winnemucca Post Office was built by the Treasury Department in the 1910s, when William McAdoo was Secretary of the Treasury. Curiously, the date and other information has been erased from the bottom of the cornerstone.  The building was reconstructed and expanded in 1940 by the Federal Works Agency (responsibility for federal buildings had been transferred from the Treasury Department in 1939). Judging from photographs on display in the New Post Office, the building was gutted and the interior entirely rebuilt. Some of the 1940 interior, with its Art Deco curves and glass-block wall, appears to have survived the subsequent conversion...

The original Romanesque/Queen Anne style post office and federal building was constructed 1883-1886. A rear wing was added in 1935 under the Office of the Supervising Architect of the Treasury direction. At that time, the building was still a post office and federal building. The building is currently used as Oxford City Hall.

Originally constructed as Kingman's post office, this building now serves as Kingman's City Hall Annex. A historic marker outside the building states: "A monument to massive federal building programs during the 1930s, construction of the post office represents the first major Federal construction in Kingman. Its completion was a major event in the town. The building is constructed of concrete and stucco with arched windows, a Period Revival style with Italianate influences." Public Works Administration (PWA) Docket No. Fed-156.

Wendell Jones painted the oil-on-canvas mural "Barn Raising" in 1942 for the Treasury Section of Fine Arts. Originally painted for the city's then-new post office, the mural is currently viewable in the lobby of Rome's City Hall.

Loren Mozley painted this mural "Race for Land" in 1938 for the Treasury Section of Fine Arts. It currently hangs in the City Council chambers.

The William Jefferson Clinton Federal Building was originally built as the headquarters of the Post Office Department. It was then known as the New Post Office because an older Post Office headquarters stood across 12th Street (now a private hotel). The foundation of the new Post Office building was poured in 1931, President Herbert Hoover laid the cornerstone in 1932, and construction was completed in 1934 (the exact dates are uncertain). Hence, it is only partly a New Deal building. The Clinton complex is part of the Federal Triangle development north of the Mall, between Constitution and Pennsylvania Avenue, first envisaged...

Alexander Stirling Calder was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Continental Post Rider, 1775-1789.” The sculpture was made out of an aluminum alloy, and Calder was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction...

Gaetano Cecere was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Rural Free Delivery Mail Carrier.” The sculpture was made out of an aluminum alloy, and Cecere was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction...

Gleb Derujinksy was commissioned by the New Deal’s Treasury Section of Fine Arts to create eight sculptures of previous Postmasters General. The sculptures were made out of wood, and Derujinsky was paid $2,800 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction of the newly-created...

Chaim Gross was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Alaska Snowshoe Mail Carrier.” It is made out of an aluminum alloy, and Gross was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction of the...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. George Harding painted two large (6.5' x 13.5') murals for the former Post Office Building:  "Post Dispatch Rider" and "Ben Franklin, Colonial Postmaster" (1938). Gordon comments that, "George Matthews Harding was born, raised, and educated in Philadelphia and developed an early interest in the founding fathers,...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. Rockwell Kent painted two large (7' x 13.5') murals for the Post Office building:  "Mail Service in the Tropics" and "Mail Service in the Arctic"  (1937).   At the time, Alaska and Puerto Rico represented the northernmost and southernmost territories serviced by the U.S. Post Office...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. In 1940, Vahe Kirishjian painted 8 ceiling panels for the Law Library in the Post Office Department, four large (13 x 21') and four smaller, called "The Four Seasons and Signs of the Zodiac." The Kirishjian murals cover the ceiling of the Law Library. The Clinton...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts: 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions). Most are on postal themes. Doris Lee painted two large (6' x 13.5') murals for the Post Office Department on the theme of "The Development of the Post in the Country." The two were painted in 1938 and titled, "Country Post" and "General Store."   They hang in the...

Arthur Lee was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Pony Express Mail Carrier, 1860-1861.” The sculpture was made out of an aluminum alloy, and Lee was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. Ward Lockwood painted two large (6' x 13.5') murals for the former Post Office Building: "Opening of the Southwest" and "Consolidation of the West" (1937).  These reflect conventional American thinking in the 1930s about the conquest of the west as a peaceful process of...

Oronzio Maldarelli was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Airmail Pilot.” It is made out of an aluminum alloy, and Maldarelli was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction of the newly-created Public...

Berta Margoulies was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Colonial Foot Postman, 1691-1775.” The sculpture was made out of an aluminum alloy, and Margoulies was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction of...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. Reginald Marsh painted two large (6'7" x 12'6") murals for the Post Office building:  "Sorting the Mail" and "Unloading the Mail" (1936).   The Marsh murals hang in the 4th floor of the north wing of the Clinton building. The building is presently occupied by the Environmental...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. In 1937, Frank Mechau painted two large (7 x 13') oil-on-canvas murals for the former Post Office Department Building: "Dangers of the Mail" and "Pony Express."  They are notable both for their stylistic daring and their controversial subject matter, and they have evoked praise...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. William C. Palmer painted two large (7' x 13.5') murals for the Post Office Building: "Covered Wagon Attacked by Indians" and "Mail Coach Attacked by Bandits" (1937). It must be said that Palmer's idea of the Wild West was standard popular mythology and the...

Attilio Piccirilli was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Contemporary Postman.” The sculpture was made out of an aluminum alloy, and Piccirilli was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction of the newly-created...

The William Jefferson Clinton Federal Building, originally the US Post Office Department, was begun under the Hoover Administration and completed under the New Deal in 1934.  It is richly decorated with New Deal artworks paid for by the Treasury Section of Fine Arts. There are 25 murals and 22 sculptural elements: 12 bas-reliefs, 2 statues, and 8 carved wood medallions. The building serves today as the headquarters for the Environmental Protection Agency (EPA).  It includes a local branch post office, called Benjamin Franklin Station, on Pennsylvania Avenue, that is open to the public; but entry to the rest of the building...

The Clinton Federal Building (north) was originally the US Post Office Department headquarters, completed under the New Deal in 1934.  It contains a wealth of New Deal artworks commissioned and paid for by the Treasury Section of Fine Arts – 25 murals and 22 sculptural elements (12 bas-reliefs, 2 statues, 8 wood medallions) – featuring postal themes. Eugene Francis Savage painted two large (7 x 13.5') murals for the Post Office Department building:  "Carrier of News and Knowledge" and "Messenger of Sympathy and Love".  The works were painted in 1937. Sarah Gordon says of these murals: "As the culmination of the U.S. Post...

Concetta Maria Scaravaglione was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Railway Mail Carrier, 1862.” The sculpture was made out of an aluminum alloy, and Scaravaglione was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction...

Carl Ludwig Schmitz was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “City Delivery Carrier, 1863.” The sculpture was made out of an aluminum alloy, and Schmitz was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction...

Heinz Warneke was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “Express Mail Carrier.” The sculpture was made out of an aluminum alloy, and Warneke was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the jurisdiction of the...

Sidney Biehler Waugh was commissioned by the New Deal’s Treasury Section of Fine Arts to create the sculpture “U.S. Post Stage Driver, 1789-1836.” The sculpture was made out of an aluminum alloy, and Waugh was paid $3,000 for the job. When this artwork was created, the present-day Clinton Federal Building was the headquarters of the U.S. Post Office Department. The Treasury Section of Fine Arts existed from 1934 to 1943. It was initially called the “Treasury Section of Painting and Sculpture”; then the “Treasury Section of Fine Arts”; and finally just “Section of Fine Arts” when it was moved under the...

Commissioned August 15, 1940, Coast Guard Air Station Elizabeth City was constructed with federal Treasury Department funds. It continues to serve and is presently the busiest such facility in the United States.

A former military facility, the Coast Guard Air Station at Floyd Bennett Field was constructed with federal Treasury Department funds. "The City of New York under the direction of Mayor Fiorello LaGuardia, deeded a portion of New York City's only municipal airport at that time, Floyd Bennett Field, to the Coast Guard air arm on 9 July 1936.  The station was constructed at a cost of $399,800.00. Dedication ceremonies were set for 23 April 1938." CGAS Brooklyn was decommissioned May 1998.  

The Wilbur J. Cohen Federal Building was built 1938-40 as the home of the Social Security Administration, one of the major new programs of the New Deal. The building was funded and constructed in conjunction with the Railroad Retirement Board headquarters, now the Mary E. Switzer building.  The two buildings stand across C street from each other.  They were the first federal buildings south of the Mall. As soon as President Franklin D. Roosevelt signed the Social Security Act into law in 1935, planning began for a new headquarters building for the Social Security Administration (SSA).  Then, when Congress funded the...

The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. One of the artworks is a sculpture, "American Eagle," by noted African American artist and sculptor, Richmond Barthé (1940). The Social Security Administration never occupied the building, which was turned over to the War Department in 1941.  After the war, the Federal Security Agency (FSA), under which the Social Security Board had been placed in 1939, moved into the building. In 1953, the Department of Health, Education and Welfare, succeeded...

The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. Two of the artworks are exterior bas-reliefs over entrances by Emma Lou Davis, "Family Group" and "Unemployment Compensation" (1941). The Social Security Administration never occupied the building, which was turned over to the War Department in 1941.  After the war, the Federal Security Agency (FSA), under which the Social Security Board had been placed in 1939, moved into the building. In 1953, the Department of Health, Education and Welfare, succeeded the...

The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to many social security themed artworks funded by the Treasury Section of Fine Arts. Two of the artworks are murals by Seymour Fogel, "Wealth of the Nation" and "Security of the People," painted in 1938 and installed in 1942 in the lobby at Independence Avenue entrance. The Social Security Administration never occupied the building, which was turned over to the War Department in 1941.  After the war, the Federal Security Agency (FSA), under which the Social Security Board had been placed in 1939, moved into the building. In...

The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. One of the artworks is a large fresco stage curtain in the auditorium by Philip Guston, "Reconstruction and Well-Being of the Family" (1942). The Social Security Administration never occupied the building, which was turned over to the War Department in 1941.  After the war, the Federal Security Agency (FSA), under which the Social Security Board had been placed in 1939, moved into the building. In 1953, the Department of Health,...

The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts. One of the lesser-known artworks is a mural by Jenne and Ethel Magafan, "Mountains in Snow." (c. 1942) Two other murals have been removed and are now stored at the National Museum of American Art: Dorothy and Fred Farr, "Sports Related to Food" (1942). Gertrude Goodrich mural, originally placed around the four walls of the cafeteria, depicting typical activities in four parts of the country (1943).    

The Wilbur J. Cohen building, originally built for the Social Security Administration in 1938-1940, is home to a magnificent collection of social security themed artworks funded by the Treasury Section of Fine Arts.  The most spectacular of the artworks is a massive, multi-paneled, fresco mural by Lithuanian-born artist Ben Shahn, entitled "The Meaning of Social Security." Shahn's mural cycle covers both sides of the central corridor of the  building. On the east wall are three panels depicting the ills Social Security was meant to alleviate:  "Child Labor, Unemployment, and Old Age."  On the west well are scenes of a society cured of...

The historic College Station post office in New York, New York on West 140th St. was one of many post offices in Manhattan constructed with federal Treasury Department funds during the New Deal era. This project was implemented by the Public Works Administration. The building's cornerstone, and an interior plaque, put the dates of construction at 1935 to 1937. The building is still in service. C.W. Short and R. Stanley-Brown: "This delightfully designed postal station is on West 140th Street between 7th and 8th Avenues and serves a district bounded by the Harlem River on the east, St. Nicholas Avenue on the west, and a depth...

The Commonwealth Post Office in Fullerton, California was funded by the Department of the Treasury and constructed in 1939 in only 7 months. This New Deal project provided work for 40 men.  At the time, it was the City of Fullerton’s first and only post office until 1962. It was also the first building in the city that was federally owned.  The post office was designed by the Office of the Supervising Architecture. It is a beautiful Spanish Colonial Revival building. The Post Office still exists today and still houses a mural called “Orange Pickers” by Paul Julian.  The Commonwealth Post Office is...