Tlingit craftsmen Sites

The Civilian Conservation Corps (CCC) recarved the Spirit of Hazy Island Pole between 1938 and 1940. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. The pole was originally found at the abandoned village of Tuxekan. With the accord of the former residents, the CCC and the U.S. Forrest Service relocated the pole to the Klawock Totem Park on the Prince of Wales Island. The pole was found in deteriorated condition when it was brought to the Klawock Totem Park from Tuxekan. Only the human figure at the bottom of the...

The Civilian Conservation Corps (CCC) recarved/restored the Woodworm Pole between 1938 and 1940. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. The pole was originally found at the abandoned village of Tuxekan. With the accord of the former residents, the CCC and the U.S. Forrest Service relocated the pole to the Klawock Totem Park on the Prince of Wales Island. The Tlingit master carvers made a copy of the original pole for the Klawock Totem Park. At the bottom of the pole the figure of the Tlingit Maiden holds is nursing...

This totem pole stands in the middle of historic Pioneer Square, known as the "first neighborhood of Seattle". The Pioneer Square Totem Pole stands tall but unobtrusive in the middle of this square. It is actually a replica of a previous totem pole that was damaged by vandals in 1938 and restored by CCC woodcarvers and then restored again in 1972. It is one of three structures that are listed as a National Historic Landmark as well as being a contributing structure in the Pioneer Square Skid-Road District. It's also, coincidentally, listed as part of three structures in the National Register...

The Civilian Conservation Corps (CCC) relocated the Dogfish Pole, also called the Chief Ebbits Pole, from a village in Southeast Alaska to the newly established Saxman Totem Park. The totem was erected in 1892 in memory of Chief Ebbits, head chief of the Tongass, at Old Tongass Village. The CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Dogfish Pole: “The contrast in appearance between an unpainted and a painted pole was...

The Civilian Conservation Corps (CCC) relocated the Giant Rock Oyster Pole from a village in Southeast Alaska to the newly established Saxman Totem Park. The CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Giant Rock Oyster Pole: "On the Giant Rock Oyster pole are carved the emblems of four related house groups of the Nexadi clan, descendants of Eagle Claw House, whose crest appears at the top of the pole. The human...

The Civilian Conservation Corps (CCC) relocated the Kats and His Bear Wife totem from a village in Southeast Alaska to the newly established Saxman Totem Park. The CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Kats and His Bear Wife totem: "The carving of Kats and His Bear Wife was set against the center of the front of a tribal house, framing the entrance. It was used only on special occasions, as...

The Moon Raven Pole & Sun Raven Pole are two memorial poles that flank the stairs that lead up to the Clan House at the end of the Saxman Totem Park. The Sun Raven Pole is a memorial for Reynold Denny Sr., the Chief of Saxman Village. The Moon Raven Pole is a memorial for Martha Shields, a notable elder of the Village of Saxman.

The Civilian Conservation Corps (CCC) relocated the Raven Pole, from a village in Southeast Alaska to the newly established Saxman Totem Park. CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Raven Pole: "Raven on the top of the Raven Totem pole is carved with outspread wings ornamented with feather and wing-tip designs, and with breast feathers forming the hair or head dress of the human figure below. This is an arrangement similar...

The Civilian Conservation Corps (CCC) relocated the Raven Posts from a village in Southeast Alaska to the newly established Saxman Totem Park. The CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. The photographic material published here by the Living New Deal was provided by courtesy of Linn A. Forrest (1905-1986), a practicing architect who photographed the totem poles at the time of their restoration, between 1939 and 1941. Forrest oversaw the joint program of the Forest Service and the Civilian Conservation Corps to recruit Alaska native carvers in the restoration and recarving of totem poles...

The Civilian Conservation Corps (CCC) relocated the Secretary of State Pole (Seaward Pole) from a village in Southeast Alaska to the newly established Saxman Totem Park. The CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Secretary of State Pole: "Standing near the carving of President Lincoln in Tongass Village was the figure of his Secretary of State, William H. Seward. Seward, perhaps more than any other one person, was responsible for the purchase...

The Civilian Conservation Corps (CCC) relocated the Grizzly Bear Post, from a village in Southeast Alaska to the newly established Saxman Totem Park. CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Grizzly Bear Post: "The Grizzly Bear post (also identified as Kats and His Bear Wife) belongs to people of Kats House of the Tongass tribe. It was approximately one hundred years old when brought from Village Island to Saxman in...

The Civilian Conservation Corps (CCC) relocated the Loon Tree totem from a village in Southeast Alaska to the newly established Saxman Totem Park. At Saxman, the Tlingit craftsmen created a copy of the original totem. The CCC set up a totem restoration project in 1938 under the supervision of architect Linn A. Forrest. Tlingit carvers enrolled in the CCC carried out the restoration and carving work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Loon Tree totem: "The original Loon Tree Totem was brought from Cape Fox Village and copied at the Saxman...

The Civilian Conservation Corps (CCC) relocated the Tired Wolf House Posts totems from a village in Southeast Alaska to the newly established Saxman Totem Park. The CCC set up a totem restoration project in 1938 under the supervision of architect Linn A. Forrest. Tlingit carvers enrolled in the CCC carried out the restoration and carving work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Tired Wolf House Posts: "The Tired-Wolf house posts were carved on Village Island and installed in a house on Kanagunut Island belonging to the people of Forest Island House....

The Civilian Conservation Corps (CCC) relocated the Owl Memorial Pole from a village in Southeast Alaska, to the newly established Saxman Totem Park. The CCC set up a totem restoration project in 1938 and Tlingit carvers enrolled in the CCC lead the work. In the 1961 volume, The Wolf and the Raven, anthropologist Viola Garfield and architect Linn Forrest describe the visual characteristics of the Owl Memorial Pole: "The owl at the top of the pole was the main crest of the medicine man, or shaman, in whose memory the carving was dedicated. The owl crest is explained by the legend of a...

The Civilian Conservation Corps (CCC) carved a copy of the original Frog/Raven Pole during a restoration program that lasted between 1938 and 1941. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. Many of the poles that the CCC recovered were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was George Benson. The copy of Frog/Raven Pole was carved by George Benson...

The Civilian Conservation Corps (CCC) carved a copy of the original Gaanax.ádi/Raven Crest Pole during a restoration program that lasted between 1938 and 1941. The pole was donated in 1903 and brought to Sitka from Tuxekan. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. Many of the poles that the CCC recovered were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was...

The Civilian Conservation Corps (CCC) carved a copy of the original Saanaheit Pole during a restoration program that lasted between 1938 and 1941. The Saanaheit Pole was brought to Sitka from Old Kasaan. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. Many of the poles that the CCC recovered were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was George Benson...

The Civilian Conservation Corps (CCC) carved a copy of the Mosquito Legend Pole during a restoration program that lasted between 1938 and 1941. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. Many of the poles that the CCC recovered were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was George Benson. This mosquito pole currently at Sitka is a replica of...

The Civilian Conservation Corps (CCC) carved a copy of the original Trader Legend Pole during a restoration program that lasted between 1938 and 1941. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. Many of the poles that the CCC recovered were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was George Benson (Lkeináa). Before the CCC program, many totems had been left...

The Civilian Conservation Corps (CCC) carved a copy of the original Lakich’inei Pole during a restoration program that lasted between 1938 and 1941. The restoration was part of a larger U.S. Forest Service program focused on the conservation of totems and Native cultural assets. Many of the poles that the CCC recovered were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was George Benson. The pole was restored between 1992 and 1993. Before the CCC program, many...

The Civilian Conservation Corps (CCC) restored and recarved totem poles at Sitka, as part of a restoration program that lasted between 1938 and 1941. The program was part of a larger U.S. Forest Service effort to employ Alaska Natives and conserve totems and Native cultural assets. Many of the poles that the CCC recovered from abandoned villages were found in an advanced state deterioration, which made conservation difficult. While restoration was the preferred approach, the CCC opted for recarving, or partial recarving, if the pole could not be salvaged. The head carver at Sitka was George Benson (Lkeináa). Some of the...

The park was designed along a main axis—Totem Road—with totem poles on each side, and a rectangular area enclosed with logs carved with frog heads. Leading to the square, there are two stairways marked by totem poles on each side. U.S. Forest Service Architect Linn A. Forrest designed the sixteen frogs breakers. In 1938, the Civilian Conservation Corps developed the Saxman Totem Park. The program was part of a larger U.S. Forest Service effort to employ Alaska Natives and conserve totems and Native cultural assets. Many of the poles that the CCC recovered from abandoned villages were found in an advanced state...

In 1938, the Civilian Conservation Corps (CCC) developed the Totem Bight State Historical Park. The park, believed to be the site of an old Tlingit fish camp, was part of a larger U.S. Forest Service program focused on the restoration of totems and Native cultural assets. Located in Ketchikan, the site brings together totem carvings of the Tlingit and Haida people, gathered from uninhabited villages. As barter declined and non-Native settlements proliferated, Alaska Natives began to abandon their villages in remote forest areas and move in search of employment. The settlements and totem art they left behind began to deteriorate. In the late...

The Blackfish Pole is the reproduction of a Tlingit pole that was located in front of Forested Island House on Tongass Island. The pole tells the story of the origin of blackfish (killer whale). This Tlingit heralding totem is a reproduction carved by Charles Brown and a crew of apprentice carvers. A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics of the carving: “The Raven, carved with the dorsal fin of the blackfish extending above him, is a special crest. The tiny face on each blackfish represents the blowhole; the human figure represents the...

The Eagle Grave Market Pole is a totem carved in the 1930s by John Wallace. The original was located in the old village of Howkan. The carving found today at the Totem Bight State Historical Park was reproduced from memory by John Wallace. Wallace’s carving has a Chilkat blanket, which is an uncommon detail for this type of totem, and was not present in the original design. The totem is 10’ high and has a 42” base below ground. The design of the blanket evokes clouds, mountains, and the symbolic characters that live in the forest. The photographic material published here...

A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics and history of the totem: “The fabled bird called Kadjuk, which is the special crest of the head of Kadjuk people of the Raven clan, is at the top of this Tlingit pole that was copied from Cat Island. The undecorated space separating the bird from the other figures symbolizes the lofty habitat of the bird and the high regard in which the crest is held. Raven is the next figure, with his breast forming the headdress of his wife, Fog Woman. She holds two...

This pole was carved at Totem Bight by Charles Brown in the late 1930s. It is a reproduction of a Tlingit pole from Tongass Island. A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics and history of the totem: “The bear and paw prints symbolize Kats’ wife. Kats is a character of Tlingit mythology that lived for a time with a female grizzly bear as his wife. In 1985, Israel Shotridge carved a replica of the bear that replaced the bear carved by Brown.”

The Man Wearing Bear Hat is a reproduction of a Tlingit grave marker or mortuary pole from Cat Island. According to a 2013 Department of Natural Resources Master Development Plan for Totem Bight, the totem represents “a man of the Bear clan wearing a large carved wooden hat surmounted by a bear’s head. Such a hat was worn at a potlatch or other important occasions during which stories were told or dramatized. Charles Brown carved the first copy of this pole in the late 1930s. Israel Shotridge carved a second replica in 1995. “

This Tlingit heralding totem is a reproduction carved by Charles Brown and a crew of apprentice carvers. A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics of the carving: “The top figure is a shaman in ceremonial garb, headdress, and fringed leather apron. The figures carved under the shaman depict a series of adventures including the story of the Chief’s Nephew Who Fed Eagles and the story of a woman with a frog husband and children. Near the bottom of the pole, Brown carved one of the many stories about Raven as ‘the trickster.’...

The Raven at the Head of Nass Pole was carved by Charles Brown with the assistance of a team of Civilian Conservation Corps Native carvers. This totem is a reproduction of a Tlingit pole 
located on Tongass Island. A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics and history of the totem: “The top figure on this pole is a chief wearing a spruce root hat. The figure at the bottom of the pole is Raven-at- the-head-of-Nass, from whom Raven stole daylight. The human above Raven-at-the-head-of-Nass represents the ancestors of the Raven clan who...

The Clan House is a replica of a community house representative of houses built in the early nineteen-century native villages of Southeast Alaska. It served as the chieftain's dwelling and it also housed several families part of his clan. The structure and its totem art did not originally existed on the current site. The site was a fish camp prior to being turned into a totem park. The paining decorating the façade was created by Charles Brown. It represents a stylized raven figure painted in light blue and brown colors. The eyes of the raven are composed as two stylized faces. Such elaborate...

The Halibut Pole is a Tlingit pole that honors the Halibut House people of the Nexadi clan. According to a nomination form of the National Register of Historic Places, the Halibut is the only pole at Totem Bight that is an old original. Relocated from the Tlingit village of Tuxekan on the Prince of Wales Island, the pole was reconditioned and re-erected at Totem Bight. It was housed at the park until 1970, after which it was relocated to the Totem Heritage Center in Ketchikan. The replica of the bottomfish (halibut) at the top of an undecorated post that can...

The Thunderer’s Pole is the reproduction of a pole that once stood at Tongass Island. It was carved by Native craftsmen in the late 1930s at Totem Bight for the Civilian Conservation Corps restoration program. A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics and history of the totem: “This Tlingit pole symbolizes thunder, and belongs to the Thunder House people. It depicts four brothers belonging to the Wolf moiety who were changed into Thunderers, mythical beings who live in the sky and on the mountaintops and create thunder and lightning.”

The Village Watchman Poles are part of the structure of the clan house at Totem Bight. This is one of two identical posts that mark the corners the structure, flanking the entry facade. Sitting on the corner posts, a man figure wearing a spruce root hat and a crest design on his face, holds a cane and appears ready for a dance or potlatch. This pole was carved by Charles Brown at Totem Bight for the Civilian Conservation Corps restoration program. The photographic material published here by the Living New Deal was provided by courtesy of Linn A. Forrest (1905-1986), a practicing architect...

The Village Watchman Poles are part of the structure of the clan house at Totem Bight. This is one of two identical posts that mark the corners the structure, flanking the entry facade. Sitting on the corner posts, a man figure wearing a spruce root hat and a crest design on his face, holds a cane and appears ready for a dance or potlatch. This pole was carved by Charles Brown at Totem Bight for the Civilian Conservation Corps restoration program. The photographic material published here by the Living New Deal was provided by courtesy of Linn A. Forrest (1905-1986), a practicing...

The Wandering Raven House Entrance Pole is the central totem that decorates the façade and marks the entrance of the clan house at Totem Bight. A 2013 Department of Natural Resources, Master Development Plan for Totem Bight describes the characteristics of the carving: “The pole against the front of the house is called Wandering Raven, named for the legendary Raven carved as the top figure. Raven can be recognized by his straight black beak. Underneath Raven and at his feet is a carved box containing daylight. Below a mink and a frog, the standing figure of a man, Natsihline, represents the...

The Civilian Conservation Corps (CCC) carved the Yax-te Totem, as part of a restoration program that lasted approximately between 1938 and 1942. The program was part of a larger U.S. Forest Service effort to employ Alaska Natives and conserve totems and Native cultural assets. U.S. Forest Service architect Linn A. Forrest oversaw the joint program of the Forest Service and the CCC throughout Southeast Alaska. The Yax-te Totem, also known as the Big Dipper Totem, was carved by Frank St. Clair, who was a Tlingit carver from Hoonah, and two CCC enrollees circa 1939-1941. In the early 1990s, after it was damaged...