Murals Sites

In 1936 Luis Arenal and his assistant completed work on the mural entitled  "North American Tropical Vegetation," for the First Lobby Stairway of the new Psychiatric Building at Bellevue Hospital. It was one of over a dozen murals painted by artists for the new building with funds provided by the Federal Art Project arm of the Works Progress Administration. It so happens, that the new building for which Luis Arenal painted the mural was also a New Deal project. The building was constructed with the support the  federal Public Works Administration (PWA). Luis Arenal was a painter and sculptor born in Mexico in...

In the late 1930s Lily Furedi painted the mural entitled "Simple Way of Life" for the women’s large occupational therapy room in the Psychiatric Building of Bellevue Hospital, It was one of over a dozen murals painted by artists for the building with funds provided by the Federal Art Project arm of the Works Progress Administration. According to Wikipedia, Lily Furedi began her work as a New Deal artists with the the Public Works of Art Project. When the program ended in 1934, Furedi joined the Federal Art Project under which completed the mural for Bellevue Hospital. The Federal Art Project Photographic Division lists...

In the late 1930s, Axel Horn and an assistant, George Brodsky, who was a veteran of the Lincoln Battalion, completed work on the mural entitled “Industrial Landscape” for the first floor waiting room in the Psychiatric Building of Bellevue Hospital. Horn and Brodsky were two out of more than a dozen artists commissioned by the Federal Art Project arm of the Works Progress Administration (WPA/FAP) to paint a series of murals for the Psychiatric Building at Bellevue Hospital. Susan Teller Gallery explains that "rom 1936 to 1940 Horn worked on the Federal Arts Project. He made murals for the Seaview and Bellevue...

In 1936 and 1937 William Karp painted a mural entitled "Normal Pursuits of Man" for the occupational therapy exhibition room in the Psychiatric Building of Bellevue Hospital. It was one of over a dozen murals painted by artists for the psychiatric building at Bellevue Hospital with funds provided by the Federal Art Project arm of the Works Progress Administration. With funding from the W.P.A., Karp also produced the mural entitled "Armed with Learning and Reality, Looking from the Past to the Future" in 1938, for the Hebrew Orphans Asylum, NYC. We know that one of the murals at Bellevue hospital entitled "Materials for Relaxation" by...

In the early 1940s Nunzio laSpina completed work on a mural decoration for the ceiling in the lobby of the Psychiatric Building of Bellevue Hospital. LaSpina was one of over a dozen artists commissioned by the Federal Art Project (FAP) arm of the Works Progress Administration (WPA) to paint murals for the new psychiatric building at Bellevue Hospital. The Living New Deal needs further information to determine the current status of this mural.

In the late 1930s Ryah Ludins painted the mural entitled “Recreational Grounds of New York City” for the men’s recreation room in the Psychiatric Building of Bellevue Hospital. It was one of over a dozen murals painted by artists for the building with funds provided by the Federal Art Project arm of the Works Progress Administration. We know that one of the murals at Bellevue hospital entitled “Materials for Relaxation” by David Margolis has been restored. However, The Living New Deal needs further information to determine the current status of the other WPA murals painted for Bellevue Hospital. Ryah Ludins first became interested...

"Materials of Relaxation," by David Margolis was one of over a dozen murals that the Federal Art Project arm of the Works Progress Administration commissioned for the Psychiatric Building at Bellevue Hospital in the mid and late 1930s. "Materials of Relaxation" is a nine-panel mural located inside the 1st Avenue entrance of the old Bellevue Hospital building. Margolis painted the mural between 1937 and 1941. The New Deal Art Registry lists Richard Lillis and Vincient LaGambino as assistants for the mural project. However, Terenchin Gallery in Hudson, New York lists artist Morris Shulman as a fresco assistant for the project. The panels...

In 1937 Walter Quirt completed work on the mural entitled The Growth of Medicine from Primitive Times for the doctor’s lounge room of the Psychiatric Building of Bellevue Hospital. Quirt was one of over a dozen artists commissioned by the Federal Art Project (FAP) arm of the Works Progress Administration (WPA) to paint murals for the new psychiatric building at Bellevue Hospital. John Dorfman of the online journal "Art and Antiques" pronounces Quirt's mural for Bellevue hospital to be his "...greatest achievement for the WPA..."  Dorfman explains that it "...was a panoramic mural...which combined Surrealism and history painting on a grand scale." Quirt painted...

In 1936 Phil Reisman was one of over twelve artists commissioned by the Federal Art Project arm of the Works Progress Administration to paint a series of murals for the Psychiatric Building at Bellevue Hospital. With funding provided by the Federal Art Project, Reisman completed work on the mural entitled "Interdependence of Industry and Agriculture" for the men's therapy room in the Psychiatric Building at Bellevue Hospital in the late 1930s. In an article about Reisman's prints for the Charles Marvin Fairchild Memorial Gallery, George D. Bianco writes that "he mural , painted in egg tempera, depicted various American industrial scenes...

In the late 1930s, Louis Ross completed work on the mural entitled "Cyclorama of Handicrafts" for the classroom in the Psychiatric Building of Bellevue Hospital. Ross was one of over a dozen artists commissioned by the Federal Art Project arm of the Works Progress Administration (WPA/FAP) to paint a series of murals for the Psychiatric Building at Bellevue Hospital. The Living New Deal needs further information to determine the current status of the "Cyclorama of Handicrafts" mural that Louis Ross painted for Bellevue Hospital.

In the mid 1930s, Agnes Tait completed work on the mural entitled "Summer Holiday" for the women’s recreation room in the Psychiatric Building of Bellevue Hospital. Tait was one of over a dozen artists commissioned by the Federal Art Project arm of the Works Progress Administration (WPA/FAP) to paint a series of murals for the Psychiatric Building at Bellevue Hospital. We learn from the brief survey of Tait's career on her webpage that she "...produced some of her best-known works during the Depression era including the frequently reproduced painting Skating in Central Park, a set of murals for Belleview Hospital in New York,...

In 1937, Raymond Noble painted a mural for Belmont High School in Los Angeles, CA. He received funding from the Federal Art Project (FAP).

The Farm Security Administration commissioned this mural in 1937-38 to commemorate the New Deal resettlement community of Jersey Homesteads, now called Roosevelt, N.J. The mural can still be seen in the Roosevelt Public School. "Ben Shahn's mural for the community center at Jersey Homesteads, Roosevelt, is a fresco - a painting done on fresh, moist plaster with pigments dissolved in water. It depicts the life of Jewish immigrants coming to America in the 1930s. Shahn was an American Social Realist painter. His paintings often focused specifically on social problems and the hardships of everyday life. His work was influenced by Diego Rivera,...

"The Legend of El Diablo" "...is an oil painting on masonite done by Clarkson Dye (FAP/WPA Project #7754). It measures 42-1/4" x 52-1/2" and hangs in the second floor legislative meeting room. Originally this painting was installed at Mt. Diablo State Park, but was moved to the old State Capital Building after restoration."

The former Benjamin Franklin Middle School in Norwalk, Connecticut houses two 15' x 11' oil on canvas murals by Harry Townsend, titled "Work, the Soul of Progress" and “Arrival of the First Settlers.” They were painted in 1938 for the building, then Norwalk's newly completed high school, under the WPA's Federal Art Project. They are located in the building's auditorium. Restoration Info: Property of City of Norwalk, CT, WPA Art Collection This school has closed and it is now the Crystal Theatre. Arrangements to see the murals can be made by calling the Crystal Theatre at 203-847-4850.

The Bennett School contains this WPA mural "History of Books" by Gustaf Dahlstrom, a 4'6" x 70' oil on canvas frieze in 15 sections. The frieze was restored in 2000.

The Bennett School contains a mural "Children's Subjects" by Grace Spongberg, depicting four subjects: 1) Art, 2) History, 3) Science, 4) Music Medium: oil on canvas Size: 4 panels, each 11' x 6' Restoration Info: Restored 2001

Walt Disney contributed drawings for WPA murals at the former Benton Grammar School (the school he attended as a boy, later renamed D.A. Holmes Elementary). The murals were completed by WPA artists and delighted children for decades. The school was located on East 30th Street between Benton Blvd. and Chestnut Ave., and is now a senior living facility.

Frank W. Long completed this tempera-on-plaster mural, entitled "Berea Commencement in the Old Days," in 1940 with funds provided by the Treasury Section of Fine Arts. It is viewable in the lobby of the Berea Police and Municipal Center (itself a New Deal building), which was originally constructed as Berea's post office.

"In the 1930’s as part of the Works Progress Administration (WPA), murals were painted in courtrooms 253 and 352. In the early 1940’s an additional mural was added in courtroom 357. All three murals were designed by Teaneck resident William Winter. The murals in room 352 (formerly known as the Supreme Court Room) represent the roots of American Law. The murals in room 253 (formerly known as the Freeholder Chambers) represent local historical sights. The murals in room 357 (formerly known as the Circuit Court Chamber) represent Roman Law."

Robert F. Gates painted the mural, "Montgomery County Farm Women's Market," in 1939 for the Bethesda post office, which was closed in 2012. It shows a woman feeding animals next to women selling produce at the Farm Women’s Market, which opened on Wisconsin Avenue in 1932.   The mural was commissioned by the Treasury Section of Fine Arts. Robert Gates later became head of the Art Department at American University. In 1938, Eleanor Roosevelt visited the Procurement Division of the Treasury Department to look at the sketches of the Gates mural. She later wrote in her diary the sketch was “charming,” and “I think...

In 1937, artist P. G. Napolitano painted a fresco panel for Beverly Hills High School in Beverly Hills, CA. The fresco, located in the school's music room, was funded by the Federal Art Project (FAP). “Mr. Napolitano’s main interest has always been in murals, which he executes in tempra (egg white), in frescoes, and in Sgraffito which he introduced here in creative work. Much of his work is marked by the omission of pretty detail and mere decorativeness until only the essential stand out; economy of line, rhythm, and strength are the three uppermost qualities” (Wells, p. 22). Napolitano's other FAP...

Suzanne Miller painted a nine-panel series of murals in 1937 under the auspices of the WPA Federal Art Project (FAP). Known both as "Children's Stories" and "Scenes from English Language Literature," the murals were originally located at the old Lincoln Park Main Library in Long Beach, CA. After it burned down, the murals were relocated to the new Billie Jean King Main Library. The murals include scenes drawn from Hiawatha (Longfellow), Il Penseroso (Milton), Vicar of Wakefield (Goldsmith), Rip Van Winkle (Irving), King Solomon (Old Testament), Man with the Hoe (Markham), Alice in Wonderland (Carroll), Elegy Written in a Country Churchyard...

"Mail, Transportation and Delivery" and "Early Present Day Indianapolis Life" are two sets of murals painted by Grant Christian in 1935-6 with funding from the Treasury Relief Art Project. The artwork, which is not accessible to the general public, consists of multiple vertical panels. The medium is oil on canvas. U.S. Courts Visitors' Guide: "In 1935, Grant Christian, a 24-year old graduate of the Herron School of Art in Indianapolis, won a competition run by the Treasury Relief Art Project, a Depression-era program, to produce murals for the Court House. Located in the southwest corner of the third floor, the panels on...

The CCC lodge at the Black Hawk State Historic Site contains "two murals painted in 1936 by Works Progress Administration (WPA) artist Otto Hake. The murals depict the seasonal activities of the Sauk and Mesquakie Indian people."   (www.blackhawkpark.org)  

"Occupational Studies and Their Application" This fresco of six 9' x 4'6" panels was painted with the help of New Deal funds.

The Board of Water and Light Dye Conditioning Plant in Lansing, Michigan contains multiple examples of New Deal artwork, including: "Water As Destructive Element" and " Beneficial Force of Water," two murals created in 1940 by Frank Cassara. "The upper lobby features three large panels, of which the outer two are by Frank Cassara. Water as Destructive Element (on the right) depicts flooding and Beneficial Force of Water (on the left) shows water's advantages for health, cleanliness and recreation."  

The Board of Water and Light Dye Conditioning Plant in Lansing, Michigan contains multiple examples of New Deal artwork, including: "Water as Hydro-Electric Power," a 1941 mural by Charles Pollock. "Charles Pollock's 1941 mural in the center shows man's control over nature and the importance of water as hydro-electric power. The figures represent agriculture and industry, and the use of plastics and agricultural chemistry, refer to the research and work activities undertaken in this building"

"Houston Ship Canal--Loading Oil" Medium: oil on canvas Size: 6'6" x 6'6"

"Soldiers and Sailors is a three panel painted mural in the vestibule of Bob Hope Patriotic Hall. Created in 1942 as part of the WPA Art Project, the mural depicts the United States’ military uniforms from 1776 through 1941. Helen Lundeberg also created three WPA murals in 1942 for Patriotic Hall but those have since been lost." (LACounty Arts Commission.)    

The historic Emerson Borough Hall houses numerous (11) examples of New Deal artwork commissioned by the Federal Art Project (FAP). "Three of the murals are located in the Lower Level Conference Room; one in the Gun Room; one in the Radio Room; four in the two previously utilized jail cells, now part of the Evidence Locker; and one large mural in the former stage area." The murals, listed on the Certification of Eligibility, are: Located on the basement level in the former fireman's lounge: — "Call back the years" — "All right you guys, break it up" — "Pepe's Gang" — "Firefighters of the Gay Nineties" —...

The grand lobby of Borough Hall contains a series of Depression Era bas-reliefs and 13 large murals painted by Frederick Charles Stahr in 1940 under the auspices of the WPA Arts Project. The murals illustrate important events in Staten Island history. With only slight exaggeration, a local source claims that "the murals are the largest and most accessible WPA collection in New York City" (Staten Island USA)  They are, in any case, hugely impressive. There are thirteen 6.5 x 13-foot oil-on-canvas murals.  The individual titles are: Giovanni da Verrazzano Discovers Staten Island, 1524 Henry Hudson Anchors off Staaten Eylandt in 1609 Cornelius Melyn Trades...

"During May and June 1946, two 900-square-foot murals depicting three centuries of local history were unceremoniously removed from the cavernous two-story rotunda of Brooklyn Borough Hall less than a decade after their creation. The murals, titled "Brooklyn Past and Present," were the work of a relatively unknown artist named Alois Fabry Jr., who had been commissioned to produce them through the Federal Art Project of the Works Progress Administration. Sprawling and detailed, interspersed with touches of whimsy and based on three months of prodigious research, they imbued the borough's central administrative office building with a sweeping monumentality." The murals are missing and...

"Suburban Street" is a 1942 Section of Fine Arts mural entitled "Suburban Street" by Alan Tompkins. The size of the mural is 11'9" x 5'2" and the medium is oil on canvas. The work is installed in Indianapolis's historic Broad Ripple Station post office.

The Bronx General Post Office houses a set of 13 magnificent mural panels—collectively titled "Resources of America"— by Ben Shahn and Bernarda Bryson Shahn. A Lehman College Guide to Public Art in the Bronx has this to say about the Shahn murals: "In the fall of 1938 Ben Shahn, assisted by his wife Bernarda Bryson Shahn, began work on the cartoons for a major cycle of thirteen egg tempera on plaster frescos for the Bronx General Post Office. The project was created under the US Treasury Section of Painting and Sculpture, a new deal art program which produced public works in federal...

Brooklyn College Library contains two WPA Federal Arts Project murals entitled "Famous Libraries of the World" painted by Olindo Mario Ricci in 1936-1939. A plaque on the wall near the murals reads: "Gracing the Library's grandest reading room are murals of two of the ancient world's greatest libraries: Egypt's Alexandrian Library and Rome's Augustan Library. Muralist Olindo Maria Ricci wanted students to 'feel as if they are in the company of the greats as they read the classics' and thus included many illustrious figures, including the mathematician Euclid and the poet Virgil.  Ricci began the murals as a WPA artist and completed them...

Under the WPA Federal Arts Project, artist Monty Lewis installed a large double fresco depicting "The Cotton Industry in Contemporary America" in 1936. The fresco may be in the auditorium or in a corridor. At the time of installation, this building was the High School of Industrial Arts. It later became the Sarah J. Hale High School and then, in 2001, the Brooklyn High School of the Arts.

In 1936, "when the United States was still reeling from the Great Depression, a series of murals was commissioned by the Federal Art Project (FAP), to be painted in the community rooms at the Williamsburg Public Housing development in Brooklyn, NY. This development was built in 1936-37, designed by the chief architect William Lescaze. The head of the New York Murals of the FAP division in 1937 was Burgoyne Diller. It was a brave move to commission a series of abstract murals from avant-garde, relatively unknown artists. At the time, most murals (perhaps all) were figurative... The artists whose murals were found in the...

The school's main lobby features a large oil on canvas WPA mural painted by Maxwell Starr in 1941 . Entitled "History of Mankind in Terms of Mental and Physical Labor," the mural "traces developments from the Stone Age through the 1930s and portrays notable scientists and inventors." The mural was restored in 1998 by the Tech Alumni Association.   (https://www.bths.edu)  

Andrene Kauffman painted two murals for the Burbank School under the auspices of the WPA Federal Art Project. "Circus," composed of two 10' x 10' panels, is located in the school auditorium. "Incidents in the Life of Luther Burbank," composed of two 4' x 20' panels, is located in room 104.